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The progressively more complex management of dynamic data flows that digital files produce, connected
with the use of increasingly more achievable technologies, is guiding academic research toward the develop-
ment of documentation and modeling systems that anticipate, together with the models themselves, calcu-
lation codes with the objective of programming activities and interconnectivity between the models and the
digital databases.
The information gathered in the current activities related to the documentation of patrimony are often
overabundant with regard to the established objectives and, in some cases, not sufficient for fully representing
some of the immaterial aspects related to the cultural value of historical patrimony. Consequently, there is a
strong need to organize the very structure of knowledge so that technologies made available to us can be used
by selecting the data necessary to define a cognitive map made up of information that in the form of images
and digital models can be converted into improved and implementable tools, as such generating direct and
synthetic information necessary to produce knowledge.
An informative and interactive database made up by the merging of models or metadata is then converted
into the instrument through which it is possible to conserve the historical memory of cultural patrimony, such
as an architectural complex, a museum system, or an intangible asset.
The model from which the metric component assumes a fundamental role that determines it and relates
it to all aspects of reliability can be converted into either a tool for the management of assets in terms of pro-
gramming short, medium and long-term interventions, or an instrument for evaluation. Digital models, con-
Views of the point
clouds of the Fuerte
de la Concepción.
Located at the
northwest of the wall,
the fort is “connected”
to the Misericordia
Gate by the outlines
of the walls that are
visible from the road.
© Sandro Parrinello
THE WALLS OF SANTO DOMINGO AND DOCUMENTATION OF THE CONSTRUCTION PROJECTS BY THE ANTONELLI FAMILY




