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THE ITALIAN LEGACY IN THE DOMINICAN REPUBLIC

52

dependence began. The house was sold

on April 7, 1864, to Esteban Pozo by

Gregorio Ramírez, who had previously

purchased it from the Bona family.

6

Another Bona family, but with-

out any documented kinship with the

above-mentioned family, is made up of

the descendants of Joseph Antoine Bona

and Marie Steffani (Felícitas), both na-

tives of Corsica. They were the grand-

parents of the contractor and architect

Henri Jean Edward Gazón Bona, who

designed various projects throughout

the 1940s and 1950s.

7

The Piantinis descend from José

Eugenio Piantini circa 1791–1871, and

while he has always been believed to be

Italian, no documentation substantiates

this. He lived with Florina Blanchard, a

native of Bánica and a descendant of the vegan Raimundo del Orbe Bocanegra. He later married Ignacia Arjo-

na Ramos, widow of the Piedmontese Juan Antonio Mazara), and he also lived together with Victoria Tejera.

We know that José Eugenio Piantini was a gunsmith, and that he died in San Carlos de Tenerife outside of the

walls of Santo Domingo. Several of his children emigrated to different regions of the country:

1) Zeferino Piantini Blanchard married Josefa Díaz Vargas

8

in Santa Cruz del Seibo on October 1, 1840. They

are the Piantinis of Mata de Palma, an area formerly named Hato Del Prado, which was the property of

General Pedro Santana Familias and his wife Micaela Antonia Rivera de Soto, widow of Febles.

2) Valentín Piantini Blanchard, who married María de la Paz Núñez in La Vega on October 20, 1841.

9

Va-

lentín also had children in that city with Manuela Carreño and with Manuela Núñez.

Most of the Piantini families in San Carlos and Santo Domingo descend from José Eugenio’s sons Secundino

and Delfín Piantini Blanchard. Ensanche Piantini neighborhood in Santo Domingo derives its name from them.

10

The Mazara family originated with Juan Antonio Mazara, a native of Prado Sesia, Novara, Piedmont, a

veteran solider of the Third Company but the army is not mentioned. He married Ignacia Arjona Ramos in

1812. Presumably he died, because, as we noted above, she later married José Eugenio Piantini. The children

of Antonio Mazara, including Ramón Remigio

11

and Domingo Mazara Arjona,

12

moved to the Mata de Palma

area (Hato del Prado) in El Seibo where they married and had a large family comprised of the Mazaras from El

Seibo and the Mazaras from San Pedro de Macorís.

13

Juan Patricio Mazara Arjona, a blacksmith by profession,

had children with Victoriana de Soto in Santo Domingo and in San Cristóbal.

José Campillo Bit, the son of Domingo Campillo and Dominga Bit, a native of Maret, Piedmont, married

Ramona Arjona Ramos (1788–1864) at the Cathedral of Santo Domingo on April 6, 1812, and she was the wid-

ow of the Italian citizen José Pigni.

14

She and her sister Ignacia were the daughters of Gregorio Arjona López

and Dolores Ramos. Ignacia first married the Italian Juan Antonio Mazara, who presumably died. She then

married José Eugenio Piantini. Ramona had married José Pigni, and upon becoming a widow she married the

Piedmontese José Campillo Pit. The families had close ties. José Campillo died in Santo Domingo on April

8, 1812,

15

without a will but with nine children. The best known branch of the family branch stems from his

daughter María Gregoria Campillo Arjona, who had children with Faustino de Hoyos. These children retained

her surname of Campillo. Her descendants include Julio Genaro Campillo Pérez, attorney, historian, politi-

cian, and professor, as well as a member of the Dominican Central Board of Elections (1979–1985), president of

Today’s epicenter

of the city of Santo

Domingo, the area

enclosed between

the avenues: Gustavo

Mejía Ricart, Abraham

Lincoln, 27 de

Febrero, and Winston

Churchill. In the mid-

1930s, this was an

area of pastures

and uncultivated

vegetation mainly used

for cattle breeding.

© Public domain

José María Bonetti

Ernest, ancestor of the

Bonetti Burgos family

(

La Nación

, December

8, 1951).

© Antonio Guerra