185
language and culture in the Dominican Republic, even
more so given that it is the first center of its kind in
Central America and the Caribbean. The Chair was cre-
ated at the request of the Chancellor of PUCMM, Pr.
Alfredo de la Cruz Baldera, and the Academic Deputy
Chancellor Dr. David Álvarez, who believed that this
initiative would serve to further internationalize their
university.
It is worth noting that one week later, on Septem-
ber 25, Italy was chosen as the Country of Honor at the
First Dominican Republic Design Week (DRDW19).
The event featured the participation of two Italian art-
ists, Massimo Caiazzo and Mauro Mori, who had been
personally invited by the embassy, and who brought
an Italian palette to the Caribbean with their respective
exhibitions
Policromía
and
Natural Approach
. The exhibitions were unveiled at the Museo de las Casas Reales,
which is housed in a sixteenth-century building, thus underscoring a contrast between the past and the future.
These exhibitions contributed to the success of the First Dominican Republic Design Week, in which a series
of innovative events was organized to include the art installation
Niebla en Santo Domingo
by Massimo Caiazzo,
an artistic installation within the evocative sixteenth-century Capilla de los Remedios in the Colonial Zone.
This installation sought to take the viewer on a visionary journey of reason, body, and spirit characterized by
the gradual transition to light, through which humanity achieves higher knowledge through empirical expe-
rience. Walking through the installation, visitors passed through a thick blanket of mist on which lights and
colors were projected to the accompaniment of an evocative soundtrack,
while the narrators read passages from texts by Leonardo Da Vinci and
Alessandro Geraldini. The exhibition also sought to commemorate the
quincentennial of Leonardo Da Vinci, thereby linking Santo Domingo to
initiatives occurring in the main cultural centers of the world. Italy’s par-
ticipation at DRDW19 is important, because it demonstrates once again
the presence of Italy at some of the fundamental crossroads of Domini-
can history. With this exhibition, the country opened itself to the use of
design for economic purposes, or the Orange Economy, as has already
happened in many parts of the world.
Also, on the occasion of the First Design Week, an exhibition of
Italian design artists was held at the Fernando Peña Defilló Museum, as-
sembling high-end furniture imported into the country by the BellaCa-
DIPLOMATIC RELATIONS. PART TWO. DIPLOMATIC RELATIONS IN THE PRESENT: 2017-2020
Theatrical reading of
the “Letters of Geraldini
and Leonardo Da
Vinci” by Massimiliano
Finazzer Flory at
the tomb of the first
resident bishop of the
Americas, Alessandro
Geraldini. September
19, 2019.
© Courtesy of Listín Diario
Letter from H.E. President Danilo Medina dated September 26, 2019: “Your
Excellency Mr. Ambassador: Receive my warmest greetings. I wish to thank
you for your kind communication, in which you inform me, in a comprehensive
and detailed manner, of the extensive program of events commemorating
the quincentennial of the arrival in our territory of Monsignor Alessandro
Geraldini, the first resident bishop in the Americas.
I join in celebrating such a singular event, and I am extremely pleased with
the effort put into the magnificence of each of the scheduled events, which
serve to highlight the intimate ties of friendship between Italy and the
Dominican Republic, the ongoing success of which we wish to reiterate with
our best wishes.
With the greatest distinction and consideration, Sincerely, Danilo Medina.
© Embassy of Italy in Santo Domingo




